Micro Four Thirds meets Bokeh
What is the secret to getting maximum bokeh out of the Micro Four Thirds format? or any other MFT camera? Lets step deep into the beauty of bokeh and look at just how much of a full-frame look you can squeeze out of smaller sensors.
Sony ZV-E1 And Android
If you're having trouble getting the "Creators' App" on your Android phone to connect to the Sony ZV-E1, you're not alone. Here's a very short post on what worked for me to finally get the app talking to the camera over Bluetooth.
Learning To See
Capturing in B+W is not merely about getting a better handle on light and dark. Given a chance it can drag you much deeper into the entire point of photography as an art form.
Eyes Wide Open
Sometimes the failures of our fellow travellers can become an inspiration to making our own journeys more fulfilling.
WrenFest in the City of Melbourne
November is #WrenFest in the City of Melbourne, an event to help researchers attract support for identifying and submitting sightings of the Superb Fairy-wren in our urban parklands. I'll be running an online photography presentation that is open to anyone who wants to learn a little about birds and cameras, plus a photo walk for those living here in Melbourne.
Soft Focus and Fine
Shallow depth of field is a powerful technique to have in your creative tool kit. It’s not just about funky portraits either, it’s good for almost every genre of photography.
Why We Take Photos
On a journey through the wide open spaces of South Australia and the Outback, I am reminded of why we take photos and how lucky we are to be able to share the beauty of the world.
Sigma 28-105mm F2.8 DG DN ART
I’ve had a chance to shoot with the new Sigma 28-105mm F2.8 DG DN Art over recent weeks, and explore the light and shadows on Melbourne's streets. This is not a one-size-fits-all lens, but a very professional mid-range zoom that delivers a bright and contrasty image.
Sigma 14mm F1.4 Field Review
This is my new favourite lens for the Arctic. It’s not just for stars, and not just auroras. It’s also a creative lens choice when you want to do something a little bit different with landscape photography.
Tamron Got It Covered
The Tamron 20-40mm F2.8 and 35-150mm F2-2.8 narrow the gap between primes and zoom. I didn't think I'd like these new lenses from Tamron so much, but the fact is every time I took them out to shoot I ended up with a tonne of great images. That’s a little bit annoying for a prime lens snob like myself.
Into The Light
Nothing excites my creative eye more than pointing a lens directly into the sun late in the afternoon. Capturing the shafts, shimmy and seduction of light as it flares across the lens is the stuff of magic.
Moonlight and Auroras
Mixing in the light of the moon can bring a new world of possibilities to your aurora photography.
